The Eye Ear Revolution Has Begun

I’ve just returned from the Music Teacher’s National Association conference in CA where I was fortunate to serve as chair of the jazz/pop track along with project manager Leila Viss.  I’ve been swimming upstream on the subject of teaching creativity as a necessary ingredient to comprehensive musicianship at music teacher meetings all over the country for several years.  So it was with particular delight to find that we could attract a packed room of teachers for nine hours of sessions with experts on the subject of teaching popular music styles, improvisation and creativity. It seems the old model of only teaching the “masters” using only the written page is finally giving way to a more balanced approach or as someone at the conference quipped, “the Queen Mary (of music education) is slowly turning.”  I can get even more dramatic by declaring, “The eye/ear revolution has begun!”   If you are a … Read more…

Pentatonic Improv

Imagine a collection of notes that would sound good regardless of when or how you played it. Such a thing exists.  It is called the pentatonic scale and it is one of the great secrets of improvisation. Creative musicians around the world playing many different styles rely on these 5 notes (a “nickels worth”) as a basis for improvisation. For tunes that stay in one key, the pentatonic scale will sound good regardless of how you order the notes or what chords are under your improvisations (5 notes worth their weight in gold). The reason this works is because there are no half steps to create dissonance.  Pentatonic Scale Formula: Scale degrees 1, 2, 3, 5, and 6 The pentatonic scale is similar to a major scale except that the 4th and 7th scale degrees are omitted. For example: C Major Scale = C  D  E  F  G  A  B  … Read more…

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